Introduction

This week, we learned Acoustic Spaces, it can maximise the spatial characteristics of a given place. For example, Concert Hall is a place which has desired properties. 

Concert Hall

Berlin Philarmonie
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6 parameters

There are 6 parameters that Sound art designers have to think about for an acoustic space takes. It includes indoor or outdoor.

Desired Properties of a Concert Hall

Sonic Intimacy

Envelopment

Clarity

Reverberation.

Sound Spaces and Sound Listening

Spaces: Wet and Dry

Listening: Emphatic and Intellectual

Music Space

Beijing Music Space
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1. The type and composition of the sound it contains

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4. The visual requirements of the environment

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2. How is it installed into the acoustic space and context.

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5. The role of the auditor(s)

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3. The degree of change from one day to another.

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6. The degree of interactivity presented to the auditor

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Listener-centered

Space encompasses the acoustic intimacy, envelopment, articulation, and reverberation characteristics of a place.

Conclusion

Sound art is the only artistic application of audio in which spatial distribution is central to the medium.

An appreciation of acoustic space and its possibilities greatly influenced the methods, materials, and sound sources that artists would use.

Sound-centered

Space acknowledges that space itself is not real and cannot be experienced until it is filled with the energy of sound.

Project location:

The demonstration site of my final project is in the square in front of Building H, it is an outside place.

There is a surreal art statue in the square, as well as embossed text about the school. Otherwise, it's empty. It's a very open place.

Map

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Location

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Use scenarios wisely

1. The space is very wide, but because it is a slightly sunken square. So, it naturally accommodates sound.
2. In the square, there is a statue made of metal that gives a special reflection.
3. Follow the signs to guide the tour.

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